Jill and I have been friends for a number of years and her work has delighted and inspired me from the start. Using a combination of magazine clippings, tissue paper, newsprint, and photographic transfers along with modeling paste extender, pumice gel medium, and other mediums, Jill Allyn Stafford creates richly textured mixed-media art the expresses conflict, love, humor, and loss. Her style and techniques have evolved and grown over the years and am excited to announce that her work featured in her first solo show.
In addition to making art, Jill is a mother and a legal assistant in a small health-law law firm. She actively works to fund raise and increase awareness for children’s literacy and for breast cancer research. She donates art to multiple non-profits and charities and attempts to coax other artists into sharing their work with the public. Jill also helped form the nonprofit arts group Vox Sacramento, and is a current board member of 916 INK.
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What got you interested in creating art? What draws you to mixed-media art?
I stopped making art when I was in the 6th grade. I became so disillusioned with my inability to draw anything realistically, and so threw in the towel and labelled my self as “not creative.” Fast forward to my 30s when I felt this urge to create. I still couldn’t draw, but I could cut up magazines and put the images together. It just fell together that way. And that’s also why I enjoy mixed media art — you can have no drawing or painting skills, but if you have an eye for putting things together, you can!
Untitled Painting (1965) by Michael Baldwin
As I was walking through the Tate Modern, I came upon “Untitled Painting” (1965) by Michael Baldwin, which is a work with a mirror attached to a canvas. The description noted that historically painting has often been referred to as window to the world, a perspective captured within the frame. However, the mirror in this piece shifts the gaze of the window, revealing the viewer in the act of viewing rather than an image the artist made themselves. In addition to being the viewer, you also become the subject of the painting as well.
As I stood observing myself, now the living and temporary subject of the painting, I started to think about the nature of art and the artists who create it. Since it’s been years since I’ve taken an art history class and I don’t tend to speak critically of art, bear with me as I may misinterpret some things.
When I walk through an art museum, I seek out works that move me, pieces of art that resonate in some way or in some way make me stop in my tracks and consider it further. The art that moves me is not always the most famous or most popular art. It may capture my imagination, sending me off into a story, or it may provide and emotional gut check.
I especially look for this in modern art museums, such as the Tate in London. I’m drawn more to modern art (much of the older art prior to the 18th century can sometimes all look the same to me no matter how beautiful), so local modern art museums are always a must when I travel .
The Tate has many great works of art in a variety of styles, from cubism to minimalism and everything in between. There are a few Picassos there among other well known artists.
However, one set of pieces that stood out for me were the imaginary architectures from the Projects series of Alexander Brodsky and Ilya Utkin, which presented dreamlike architectural imagery in old style etchings that had me imagining steampunk landscapes and Victorian industrial and fantastical cities. I would love to post some images of the art here, but I’m not sure what the copyright rules are. You can see one of the intricately detailed images on the Tate Modern website.
More can be found posted here.
Both artists are “paper architects” who created seemingly impossible designs out of paper. I plan to follow up and learn more about both of these artists and their work. But in the meantime, I think I’m going to have to go back to the Tate later this week and buy a print from their Projects series for my wall.
The National Gallery in London holds oodles of amazing paintings across many centuries, from the medieval religious works (including a piece by Leonardo Da Vinci) through to Renaissance to some expressionists (with some works by Claude Monet and Vincent Van Gough). But here are a few paintings I found amusing beyond the quality of the art. I admit that this post is partially inspired by Women Having A Terrible Time At Parties In Western Art History, which is far more hilarious than I am capable of being.
Saint Michael Triumphs over the Devil (1468), painted by Bartholomé Bermejo, in which Saint Michael comes off as something of a dick.
So, apparently the Cartoon Art Museum is hosting a special exhibit of original artwork from Neil Gaiman’s Sandman series, such as paintings, sketches and other rarities in order to celebrate the 25th anniversary of the comic book series.
I may be freaking out just a little bit. You know, or maybe A LOT.
First, I ha no idea San Francisco had a Cartoon Art Museum, which is awesomeness in and of itself.
Second, it’s a FREAKING M-F-ING Sandman artwork exhibit!!
Sandman is not only among my favorite comic book series, but among my list of favorite books of all time. The myths and tales that Gaiman weaves together combined with compelling characters and amazing artwork is just… so… fantastic I don’t even have eloquent words for it at the moment.
I am ridiculously excited to go to this exhibit.
Of course, I’m still going crazy with NaNoWriMo and NaBloPoMo and work crazies and other challenges this November, so my visit to the museum will have to wait until December. But when that day comes — GLEE!