Little Disappointments

The writing life is full of its disappointments. The words are never quite the gossamer things they were in your head. Projects you spend days, weeks, years on don’t always come to fruition. The work you submit to journals for publication gets rejected, again and again, over and over. Events get cancelled. Publishers close.

At the end of March, ELJ Editions announced that it was closing its doors — an event that leaves my chapbook Pantheon, along with a great many other books, without a home. Since this announcement, I’ve been dealing with feelings of sadness and self doubt, while at the same time being moved by how the writing community has responded. In the wake, publishers have stepped up, offering to take a look at homeless books, and ELJ authors have come together to provide support and encouragement — which is a beautiful thing.

Over the past couple of weeks, as I’ve been processing this news while also being overwhelmed at my day job, I’ve let a few things slide, including the National Poetry Month fanfare I normally engage in.

Things, life, whatever is moving on, and I’m currently working to find my chap a new home. If you want to send me some good vibes on that account, I’d appreciate it.

ANNOUNCEMENTS

In the realm of good news, my poem Songs for Psyche is now up at Devilfish Review. I’m excited about this because I’ve been trying to get work in Devilfish for a while now.

Here’s a little taste of the poem: “if you believe the path / of an arrow is straight // you’ve never / been within / cupid’s quiver”

Zoetic Press is hosting a Kickstarter in order to support its forthcoming anthology of dystopian fiction by POC writers, A Phoenix First Must Burn. There are 12 days left to support the project and even a dollar or few would be greatly appreciated by everyone at the press.

There are lots of rewards available — including things like handwritten postcards and limited edition Nonbinary Review anthologies — all awesome. Also, if the project gets 100 backers, it will publish a print version of the anthology.

What I’m Reading

I just finished Binti: Home by Nnedi Okorafor, which was amazing. I love the imaginative interstellar world building of this, and I can’t wait for the third book.

Next up is The Obelisk Gate, the second book in N.K. Jemisin’s Broken Earth trilogy. The first book, The Fifth Season, was one of my favorite reads from 2015, so I can’t wait to get started on the sequel.

(One of the things I’ve let slide is my monthly Culture Consumption report, and at this point, I’m going to let it go. I’ll catch up on all the things at the end of April.)

What I’m Writing

In honor of National Poetry Month, I’m doing 30 days of erasure poetry on Instagram using the Trader Joe’s Fearless Flyers. I love doing erasure poems, because it’s a soothing process for me, something I can do with a movie on in the background.

I’ll be traveling for work this week, so I’m hoping to get some editing work and new writing on the webseries done while I’m sitting around in hotel rooms.

The Running Life

No running last week. Or the week prior. This was partly due to my having to work overtime a lot of the last couple of weeks

Longest Run of the Week: 0 miles
Total Miles for the Week: 0 miles
Total Miles for 2017: 62.54 miles

Linky Goodness

John Freeman on How a Literary Magazine Editor Finds New Writers:

“I sometimes hear publishing new writers talked about as if it were an occult art. Tea leaves consulted. Sand art made. A voice in the dark. But it’s not that hard to find very good new writers. You just have to listen to people. There are agents who seem to constantly have good new voices, magazines which have a record of publishing them, cities where they seem to develop and read in public, and, of course, teachers and writing programs around which they seem to cluster. Just as tornadoes hit the plains and avalanches happen in winter, spend enough time in these spaces and soon enough something miraculous will walk into view.”

A set of poetry postcards from immigrants, refugees and others touched by migration.

A gorgeous font that evolves as you type with it.


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