Behind a gate on a hill, the house skulks with the weight of its memories. It’s gardens bear rotting fruit. Vines crawl up its siding and peel back it’s wooden skin. It’s windows are cracked and broken, shutters clinging to rusted hinges, peeling away like a woman’s fake eyelashes at the end of an alcohol soaked night. The roof gapes up at the sky, open mouthed, drinking in sunlight, rain, and snow indiscriminately.
The house is home to specters, fragments of broken hearts and shards of regrets, drifting lonely and angry over the termite infested floors, nestling under the mildewed drapery, curled up in soggy chairs. They roam the many tilted floors, drift through peeling walls scattering mice, and wander into spiderwebbed rooms tasting the lingering once-was that paints a sheen over slow destruction.
When the front door falls off its hinges and the interlopers wend their way through the entry, taking up and altering space, the specters wail a distant keening easily mistaken for wind whistling in the eves. The interlopers offer up their own low moans, and for a moment their two lost nations take up a song of esurience.
Accustomed to percieving the ancient house as draped in its historic glory, as vibrant and fresh as when they were alive, the specters do not recognize the interlopers for what they are. They do not notice the flesh peeling in strips from bone, do not smell the too sweet stench of decay, do not comprehend the hollowed out emptiness of the interlopers that shamble without apparent purpose through the dim rooms.
The specters respond as they always do to invasion — slamming shutters, knocking wrinkled books off shelves, casting dark flitting shadows — expecting the screaming flight such actions traditionally evoke. But the just-bodies of the interlopers give no response other than to amble jerkily in the direction of each new sound. Confounded, the specters use up their electrostatic strength in games of fright that have no effect.
One interloper, in shuffling toward the sound of a portrait crashing, collapses through a wood rotted floor and smashes like an overripe melon on the stone basement floor. Specters huddle around it, waiting for one more to rise up and join their numbers. But the husk remains a husk with nothing to offer, not even its own ravenous hunger.
The specters learn. Unable to terrorize the interlopers into fleeing, they draw them with their howling, herd them with their bumping and knocking, guiding them to the hole to fall and smash and shatter and grow still. One unravels wire bit by steely bit until the chandelier, dusty and laced with cobwebs, crashes into a clutch of shambles, driving them through the cracking stairs into the rooms below.
One by one, the specters steer the interlopers to destruction until at last their home returns to its own quiet ruination, allowing the specters to slip back into their rumination and drift cloud-like through the fading chaos of memory.
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Chuck Wendig invited writers this week to play the sun genre boogie this week. My random drawing pulled “haunted house” and “zombies” — which is utterly perfect for me.